{"id":28,"date":"2009-07-13T12:43:31","date_gmt":"2009-07-13T15:43:31","guid":{"rendered":"http:\/\/www.ceciliazabala.com.ar\/?page_id=28"},"modified":"2024-06-27T15:40:43","modified_gmt":"2024-06-27T18:40:43","slug":"prensa","status":"publish","type":"page","link":"https:\/\/musica.ceciliazabala.com.ar\/en\/prensa\/","title":{"rendered":"Press Reviews"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbAbout\u00bb _builder_version=\u00bb4.16″ background_color=\u00bb#fcf9ec\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.25.2″ global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.25.2″ custom_padding_tablet=\u00bb|0px|||false|false\u00bb custom_padding_phone=\u00bb||||false\u00bb custom_padding_last_edited=\u00bboff|desktop\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.23″ text_font=\u00bb|600|||||||\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbBalthazar||||||||\u00bb header_font_size=\u00bb80px\u00bb header_font_size_tablet=\u00bb80px\u00bb header_font_size_phone=\u00bb50px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Prensa<\/strong><\/h1>\n

[\/et_pb_text][et_pb_text disabled_on=\u00bboff|off|off\u00bb _builder_version=\u00bb4.25.2″ text_font=\u00bb|600|||||||\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbBalthazar||||||||\u00bb header_font_size=\u00bb80px\u00bb header_2_font=\u00bbBalthazar||||||||\u00bb header_2_font_size=\u00bb28px\u00bb hover_enabled=\u00bb0″ header_font_size_tablet=\u00bb80px\u00bb header_font_size_phone=\u00bb50px\u00bb header_font_size_last_edited=\u00bbon|phone\u00bb custom_css_free_form=\u00bb .c4 {|| padding-top: 0pt;|| padding-bottom: 0pt;|| line-height: 1.15;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| .c5 {|| padding-top: 12pt;|| padding-bottom: 12pt;|| line-height: 1.15;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| .c1 {|| color: #000000;|| text-decoration: none;|| vertical-align: baseline;|| font-style:normal|| }|||| .c3 {|| -webkit-text-decoration-skip: none;|| color: #1155cc;|| text-decoration: underline;|| text-decoration-skip-ink:none|| }|||| .c0 {|| font-size: 12pt;|| font-family: %22Calibri%22;|| font-weight:400|| }|||| .c12 {|| background-color: #ffffff;|| max-width: 451.4pt;|| padding:72pt 72pt 72pt 72pt|| }|||| .c2 {|| font-weight: 400;|| font-size: 13pt;|| font-family: %22Calibri%22|| }|||| .c15 {|| font-size: 12pt;|| font-family: %22Calibri%22;|| font-weight:700|| }|||| .c7 {|| font-weight: 400;|| font-size: 11pt;|| font-family: %22Calibri%22|| }|||| .c13 {|| font-size: 14pt;|| font-family: %22Calibri%22;|| font-weight:700|| }|||| .c17 {|| font-size: 6pt;|| font-family: %22Calibri%22;|| font-weight:400|| }|||| .c14 {|| font-size: 16pt;|| font-family: %22Calibri%22;|| font-weight:400|| }|||| .c10 {|| font-size: 13pt;|| font-family: %22Calibri%22;|| font-weight:700|| }|||| .c11 {|| text-decoration: none;|| vertical-align: baseline;|| font-style:normal|| }|||| .c8 {|| color: inherit;|| text-decoration:inherit|| }|||| .c6 {|| color:#444444|| }|||| .c16 {|| color:#404040|| }|||| .c18 {|| background-color:#ffffff|| }|||| .c9 {|| height:11pt|| }|||| .title {|| padding-top: 0pt;|| color: #000000;|| font-size: 26pt;|| padding-bottom: 3pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| .subtitle {|| padding-top: 0pt;|| color: #666666;|| font-size: 15pt;|| padding-bottom: 16pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| li {|| color: #000000;|| font-size: 11pt;|| font-family: %22Arial%22|| }|||| p {|| margin: 0;|| color: #000000;|| font-size: 11pt;|| font-family: %22Arial%22|| }|||| h1 {|| padding-top: 20pt;|| color: #000000;|| font-size: 20pt;|| padding-bottom: 6pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| h2 {|| padding-top: 18pt;|| color: #000000;|| font-size: 16pt;|| padding-bottom: 6pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| h3 {|| padding-top: 16pt;|| color: #434343;|| font-size: 14pt;|| padding-bottom: 4pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| h4 {|| padding-top: 14pt;|| color: #666666;|| font-size: 12pt;|| padding-bottom: 4pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| h5 {|| padding-top: 12pt;|| color: #666666;|| font-size: 11pt;|| padding-bottom: 4pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| orphans: 2;|| widows: 2;|| text-align:left|| }|||| h6 {|| padding-top: 12pt;|| color: #666666;|| font-size: 11pt;|| padding-bottom: 4pt;|| font-family: %22Arial%22;|| line-height: 1.15;|| page-break-after: avoid;|| font-style: italic;|| orphans: 2;|| widows: 2;|| text-align: left|| }\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Sobre el EP VIOLETA SECRETA (2021)<\/h2>\n

Cecilia Zabala en el \u201cPase mas largo del mundo\u201d<\/a>
<\/span>(Radio Nacional Folklo\u0301rica, 03\/07\/22) <\/span><\/p>\n

Cruces invernales entre Jazz, Tango y Folklore<\/a>
<\/span>(Pagina 12, 03\/07\/22)<\/span><\/p>\n

Cecilia Zabala en Noticiero de TVP<\/a>
<\/span>(TV Pu\u0301blica, Bs As, Argentina, 01\/07\/22)<\/span><\/p>\n

El arte chileno, presente en Buenos Aires<\/a>
<\/span>(TV Pu\u0301blica, Bs As, Argentina, 18\/03\/22)<\/span><\/p>\n

Cecilia Zabala presente su EP Violeta Secreta<\/a>
<\/span>(Alternativa Teatral, 13\/03\/22)<\/span><\/p>\n

Violeta Secreta: Cecilia Zabala, Lanzamiento y presentacio\u0301n Nuevo EP<\/a>
<\/span>(Revista Miraba, No. 148, Pa\u0301g. 80\/81, Nov. 2021) <\/span><\/p>\n

Sobre PREMIO NACIONAL (2018)
(Categori\u0301a: \u201cJazz y Melo\u0301dica\u201d, Ministerio de Cultural de la Nacio\u0301n Argentina)<\/h2>\n


Una sorpresa para el a\u0301rbol naviden\u0303o de los artistas<\/a>
<\/span>(Diario Pagina 12, 23\/12\/2018)<\/span><\/p>\n

<\/span><\/p>\n

Sobre el disco \u201cAIRE SOY\u201d (2018)<\/h2>\n

Mis canciones son un refugio de la realidad<\/a>
<\/span>(Diario Tiempo Argentino, 06\/01\/19)<\/span><\/p>\n

La guitarrista y cantante presenta \u201cAire Soy\u201d en la Usina del Arte<\/span><\/a><\/span> <\/span>
(Agencia Telam, 16\/12\/19)<\/span><\/p>\n

Cecilia Zabala: Ser aire fresco, tambie\u0301n en diciembre<\/a>
<\/span>(Diario Popular, 16\/12\/19)<\/span><\/p>\n

El nuevo disco de Cecilia Zabala, con \u00abel sabor del instante perpetuo\u00bb<\/a>
<\/span>(Quintoelemento Web, 06\/12\/18)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Sobre el disco \u201cFOOLIN \u0301IN TIME\u201d <\/span>(<\/span>2018, USA)<\/span><\/h2>\n


\u00a0This is some technically impressive fooling around<\/a>
<\/span>
\u00a0<\/span>
(Songlines Magazine, UK, Junio 2019, #148, Pag. 64)<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Sobre el disco \u201cEL COLOR DEL SILENCIO\u201d <\/span>(2016)<\/span>
<\/span><\/h2>\n


Una guitarra al l\u00edmite de lo posible<\/a>
<\/span>
\u00a0(Cancioneros.com, Febrero 2016)<\/span>
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n


Silence is golden and so is this Album from the Argentinean<\/a>
<\/span>
\u00a0<\/span>

(Songlines Magazine, UK, Junio 2019, #148, Pag. 64)
<\/span>

Cecilia Zabala\u2019s \u2018The Color of Silence\u2019 Is a Sensuous and Mysterious Excursion<\/a>
<\/span>
\u00a0(Acoustic Guitar Magazine, September 2018) <\/span><\/p>\n


Cecilia Zabala, The color of silence<\/a>
<\/span>
\u00a0<\/span>(Soultrain online Mazagine, April 2018)<\/span> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
<\/span><\/p>\n

Resen\u0303a Club del Disco<\/a><\/span>
(Club del Disco,19\/7\/16)<\/span><\/p>\n

Me salio\u0301 resistir desde la belleza<\/a><\/span> <\/span>
(Tiempo Argentino, 19\/6\/16) <\/span><\/p>\n

Co\u0301mo decir desde la intimidad<\/a><\/span>
(Diario Pa\u0301gina 12, 15\/6\/16) <\/span><\/p>\n

Guitarra que cuenta historias<\/a>
<\/span>(Diario Clari\u0301n, 9\/6\/16)<\/span><\/p>\n

De lo intimista a la obra conceptual<\/a><\/span> <\/span>
(Diario La Nacio\u0301n, 29\/5\/16<\/span><\/p>\n

Sutileza, sensibilidad y alma<\/a>
<\/span>(Anthropomusic, 29\/5\/16)<\/span><\/p>\n

Sobre el disco FRONTERAS <\/span>(2015)<\/span><\/h2>\n

Fronteras, m\u00fasicas de Cecilia Zabala y Philippe Baden Powell<\/a><\/span>
(Viceversa, Enero 2017)<\/span><\/span><\/p>\n

A Conversation With Philippe Baden Powell and Cecilia Zabala<\/a><\/span> <\/span>
(Afropop Worldwide, Enero 2017)<\/span><\/p>\n

La mezcla de dos universos<\/a>
<\/span>(Diario Pagina 12, 11\/11\/15) <\/span><\/p>\n

Sensibilidad y estilos sin fronteras<\/a><\/span> <\/span>
(Diario Clari\u0301n 11\/11\/15) <\/span><\/p>\n

Mu\u0301sica que pinta paisajes de dos pai\u0301ses<\/a>
<\/span>(La Gaceta, 6\/11\/15) <\/span><\/p>\n

Fronteras \u0308 el disco esperado de C. Zabala y P. Baden Powell<\/a>
<\/span>(Diario La Razo\u0301n, 4\/11\/15)<\/span><\/p>\n

Lo contrario a una atmosfera festivalera<\/a>
<\/span>(Revista N\u0303, 14\/02\/15) <\/span>
Violeta Secreta <\/span>
(Revista Planeando sobre Bue, Sept 2014)<\/span><\/p>\n

Sobre el disco VIOLETA<\/span> (2013)<\/span><\/h2>\n

Violeta viene a nacer<\/a>
<\/span>(Diario La Nacio\u0301n, 21\/09\/14)<\/span><\/p>\n

CZ bucea en el universo guitarri\u0301stico de V. Parra<\/a>
<\/span>(La gaceta, 22\/10\/13)<\/span><\/span><\/p>\n

La me\u0301trica y la la\u0301grima <\/a>
<\/span>(Radar, Pa\u0301gina 12, 21\/07\/13) <\/span><\/p>\n

Violeta viene a renacer<\/a>
<\/span>(Diario La Nacio\u0301n, 11\/07\/13) <\/span>
Violeta errante <\/span>
(Diario Pa\u0301gina 12, 21\/06\/13)<\/span><\/p>\n

Violeta errante<\/a>
<\/span>(Diario Pa\u0301gina 12, 21\/06\/13) <\/span><\/p>\n

Otros brillos de Violeta Parra<\/a>
<\/span>(Diario Clari\u0301n, 13\/06\/13) <\/span><\/p>\n

Iluminada por una obra sin tiempo<\/a>
<\/span>(Diario Pa\u0301gina 12, 10\/06\/13)<\/span><\/p>\n

<\/span>Como cai\u0301da del Cielo<\/a>
<\/span>(Radar, Pa\u0301gina 12, 9\/06\/13)<\/span><\/p>\n

<\/span>Cuerdas para una dama chilena<\/a>
<\/span>(Boleti\u0301n Folklore, 25\/05\/13)<\/span><\/p>\n

<\/span>Sobre los discos AGUARIBAY (2007), PENDIENTE (2008) y PRESENTE INFINITO (2011)<\/span><\/h2>\n

Puente a lo nuevo<\/a>
<\/span>(Revista Veintitre\u0301s, 26\/10\/11)<\/span><\/p>\n

Cecilia Zabala y su Presente Infinito<\/a>
<\/span>(Diario La Nacio\u0301n, 17\/10\/11) <\/span>
Y conquistara\u0301s el mundo <\/span>
(Revista Semanario, 21\/09\/11)<\/span><\/p>\n

Todas las hojas son del Flaco<\/a>
<\/span>(Diario Pa\u0301gina 12, 14\/08\/09) <\/span><\/p>\n

Pendiente<\/a>
<\/span>(Diario La Nacio\u0301n, 19\/10\/08)<\/span><\/p>\n

El sonido de lo aute\u0301ntico<\/a>
<\/span>(Diario Express news, Marzo 2008)<\/span><\/p>\n

Una muchacha y una guitarra para poder cantar<\/a>
<\/span>(La Nacio\u0301n, 09\/01\/08)<\/span><\/p>\n

Con dominio de estilo<\/a>
<\/span>(Diario Clari\u0301n, 12\/07\/07) <\/span><\/p>\n

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Cecilia Zabala\u00a0<\/h1>\n

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SUSCRIBETE<\/a><\/h4>\n

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CONTACTO<\/h4>\n

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xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx<\/span><\/p>

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